Johnny Hachem or the ascent of a talented composer
Who is Johnny Hachem and some of his music achievements: Johnny Hachem is a Lebanese-Ukrainian composer and pianist, based in Switzerland. He is the holder of many international awards including the 2009 international award for the Music Composition at The International Composition Conference (Cergy-pontoise, France) and the 2021 Third prize of the Classic Pure Vienna International Composition Competition (Vienna, Austria). Johnny Hachem is one of the most promising composers in Europe, with an extensive resume that includes prestigious awards from around the world. He has been awarded many international awards including the 2009 Music Composition Award at The International Composition Conference (Cergy -Pontoise, France). Discover additional information at https://soundcloud.com/johnny-hachem.
As music theory, can you explain for other artists why it is advantageous to discover classical chord progressions and harmonies and apply them into any genre? Johnny Hachem: Of course, it’s advantageous to discover classical chord progressions and harmonies because they are the basic of almost all the music genres or let’s say they will enrich their musical thoughts even if they won’t be used the classical school way they can affect them unconsciously. It’s well needed to study all these things but at the end, when you compose, you must not to be making just a harmony exercise: you should really have the talent to add your own thoughts…
Currently, Johnny is preparing for a series of piano concerts that he will perform in various European countries in the near future and says that the proceeds will be donated to the families affected by the war in Lebanon and Ukraine. He believes donating to humanitarian causes gives meaning to his musical message. Johnny Hachem has come a long way, and even though he faced a lot of hurdles, he refused to give up. And finally, he has been successful in achieving his dreams. Now he wishes to guide the aspiring musicians and pianists in the world to accomplish what he has done over the years of hard work. “Do not try to imitate successful musicians and stars. Instead, do the opposite and draw your own unique path. This is the key to success,” he stressed. He is an ambitious, passionate, and emotional person who values deep feelings and cherishes others’ happiness. Johnny Hachem’s message is about peace, and he uses his music to spread it across the world.
Oftentimes musicals and mainstream songs “borrow” from classical pieces, even without mentioning the actual origins. The reasoning is that “every note has already been used”, so, why not. Has it ever happened to you that your compositions welcomed you in someone other’s gown? Johnny Hachem: I think no, at least not until now, haha. Or maybe it’s happened and I’m just unaware of it? It can be! Why do you think modern compositions lack of the beautiful and elegant complexity of notes, chords; the ornaments such as turns, mordents, trills, acciaccaturas, appoggiaturas; the complete lack of meaningful structures and so on? And this goes both for each and every genre. Can it be because of the untrained ears will not buy into something they feel alien and untranslatable, “too much” or because majority of the songs are written by a handful of craftsmen in the background and the “indies” in any genres are just, well, simply not enough good?
Johnny has performed his compositions world-wide in countries including, Lebanon, Jordan, Bahrain, Egypt, Qatar, France, Switzerland, Germany, England, Spain, Poland, Belarus and Ukraine. His most notable work include his composition for the documentary film I Knocked on the Temple’s Door by Carmen Labaki, and also for composing “The Fourth Watch”, which was performed by the Lebanese Philharmonic Orchestra in December 2014 and “The Battle of Siddim” performed by the Lebanese Philharmonic Orchestra in May 2017 and by “Lublin Philharmonic orchestra”, Poland in October 2017.
I was born into a musical family. My dad, who passed away 10 months ago, used to play violin and my mom the piano. I remember very well how beautiful it was to listen to them playing music together at home and in church. And I was influenced by them a lot. But when I was a child, we had war in Lebanon and it was difficult to attend the music school, so I put a lot of time into piano improvising and trying to make my own music. My mom started to help me and after that, when the war stopped, I started studying music officialy.
