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Veteran TTRPG players and game masters know that it’s incredibly rare for anything to go as planned. Players might circumvent a DM’s masterfully engineered fight with a wild gambit from a bard or rogue. On the other hand, someone’s bad roll might result in that gambit going down in literal flames. Every time a player rolls a die, there’s no way to know what’s going to happen. Part of learning to play D&D is learning how to improvise. This is where understanding a character’s backstory can come in especially handy – it makes it easy to react to even the wildest situations.
The fact of the matter is your players will decide what actually happens in each session. The job of a GM isn’t to control the story but to guide it and react to it. You facilitate the adventure that your players are having. When you overplan your sessions you build these dependencies into the narrative that your players need to interact with to make it work. This can lead to a lot of GM frustration. “Argh, why aren’t they talking to this character? I spent a whole hour practising their voice lines and writing a complicated backstory!” Don’t worry. Here’s a secret: until it physically happens in roleplay, nothing is canon. Is your super-serious NPC who guards the secret to the plot ignored after a single story but some random shopkeeper is getting whole hours of screen time? Why can’t that shopkeeper be an important character in the story? The players clearly love her, so let her be a part of the tale. Grab the bits that got forgotten elsewhere and work them into what’s currently happening. Did your players go through the wrong door yet again? No they didn’t. Until you open that door, its contents don’t exist.
Keep in mind the difficulty check, known as the DC, on rolls. This is especially important for the Dungeon Master. The DC is the number that needs to be met or exceeded to succeed whatever is being attempted. Easy actions, opening an unlocked door, for instance, have a low number usually 0-10. Medium actions a medium number 10-15, and hard actions a high number 15-20. When planning your challenges, keep those in mind. Speaking of success and failure, don’t be afraid to lean into any negative characteristics your character may possess. Whether it’s from a poor attribute (low Dexterity, Strength, for example) or because you just wanted a character that is a kleptomaniac, flaws are what create depth. They are also often what a player loves most about playing. My own character, Althea, is an optimistic Druid with horrible Charisma. She is stubborn and tries to take every problem on herself. She can’t communicate with others well, so she just doesn’t.
You shouldn’t feel bad about sitting down to GM and not having a full grasp on every rule in the book. If you’re confused about how something works in play, don’t panic. You can improvise what happens in the moment and check on the rule later, or even pause the game briefly to give your players a break whilst you read the rulebook. Whatever you need, just do it. No-one is going to be upset that you don’t have an encyclopedic knowledge of how the game works on day one. (If they do, they probably suck – maybe don’t play with them.)
Not sure what a spell’s description means? Can’t remember what AC or DC stands for? Don’t know what it means to be behind cover? Ask! Pausing the game’s action for a few seconds is worth it to help make sure everyone is on the same page and having a good time. More often than not, DM’s and other players will be glad to answer questions for friends who are learning the game. And if they aren’t…well, refer to the first point. They might not be the best people to play with, especially for a first campaign. Read extra info at https://dnds.store/.
